Polly Interviews The White Buffalo

banner_001White BuffaloThe White Buffalo a.k.a. Jake Smith has had a very good year. A successful tour with Chuck Ragan and Jonny Two Bags, playing summer festivals and the ever increasing legion of fans due to successful song placements (TV show Sons of Anarchy) he was in a great mood. So, on a recent phone conversation with the upbeat, talented singer/songwriter he was multi- tasking as usual. Pounding away on his handmade leather WB coasters in this humor filled chat we discussed his music, his crazy loyal fan base, playing the big room (Majestic Ventura Theater) and his college baseball career.

Polly: Hey Jake, how’s it going? You’ve been busy.

Jake: Pretty busy, yeah, been a pretty cool summer…

Polly: Your last record came out in 2013 (Shadows, Greys and Evil Ways) and it actually charted on Billboard how did that make you feel to get more people to recognize your music?

Jake: I don’t know if that’s entirely true. I guess it did chart huh? Ha-ha, I don’t really keep track.

Polly:   Ha-ha, it was number 164.

Jake: Really? Well that’s pretty cool ha-ha. I don’t think it changed my life very much but, that’s cool. I mean it’s cool… to be 164th Ha-ha.

Polly: I’m a fan of your music and I see when stuff pops up on facebook and I’m so excited for you. Like Jimmy Kimmell! How cool was that?

Jake: Yeah, that’s super cool. It’s great to get these little things that do get some recognition. I think a lot of it kind of legitimizes what I do in some people’s eyes. For me, I feel like I’m kinda doing the same thing.

Polly: But on a broader platform which is so cool.

Jake: Yeah, it’s cool. I think it’s great that we’re reaching a few more people and that’s kind of the goal, to get it quicker rather than slower.

Polly: It took you about ten years to be an overnight success…

Jake: Hahaha, that’s great.

Polly: What do you think the key is? What did you do different last year and the year before? Just more records coming out?

Jake: I think so. I think it’s a matter of just building it and keep building up the fan base. I think the majority of it is touring and getting the occasional licensing… all the Sons of Anarchy stuff and all the other licenses I think help hugely. It’s great that people don’t stop at those songs. They go deeper into the catalog, not everybody does obviously, but some people do and you actually get fans out of that.

Polly: Sure.

Jake: So it’s just a matter of staying at it and not doing anything stupid ha-ha.

Polly: Ha-ha.

Jake: I don’t know it’s just staying true and writing and trying to write good songs and playing hard and performing with passion.

Polly: Right, definitely, because you know when your first EP came out, gosh that was like 8 or 9 years ago and it didn’t seem like there was anything out for 4 or 5 years after and then all of sudden boom we get EP’s and records almost every year. I think a key to your success has been doing something new and fresh every year.

Jake: Yeah, and we’re going to start recording again shortly.

Polly: Wow.

Jake: Yeah, I always had a bunch of songs I just didn’t have the means to record stuff. You know what I mean? And it wasn’t necessarily a lack of material it was a lack of focus, ha-ha…

Polly: And resources.

Jake: Yeah, resources and funds. My first couple of records I made from nothing you know, it was friends who helped, but I don’t think those records are worse or better or anything less than the current albums. It was a different schedule we had to work with and it was a different time but you know?

Polly: And on a shoe string.

White Buffalo

Jake: Yeah, but in a way it makes you dig a little deeper.

Polly: It keeps you humble.

Jake: Yeah, as far as being on a different label that’s probably been the biggest luxury and you know, there’s still not any of them telling me what to do. Like I’ll tell say, I’m going to make a concept album of this fucking crazy story, and they’re like alright, let’s do it. Ha-ha.

Polly: That’s nice. So who influences you these days? Is there somebody out there new or old that kind of grabs you these days?

Jake: Umm, musically? I don’t know. Not really.

Polly: OK, that’s fair.

Jake: I don’t know. I don’t think inspire is the right word. A lot of times people ask who inspires you, and rarely… because I try not to be derivative of or inspired by… but as far as people I like… I like the last Jason Isbell record called Southeastern. I thought that was fucking pretty great. Super emotional and I just got part of that new (Jeff) Tweedy album pretty cool so far. You know there are lots of great people that I like. I really like Dr. Dogg… I like Deer Tick.

Polly: What’s been your favorite show experience so far?

Jake: My favorite show experience?

Polly:  Was it Kimmell? Was it when you went out with Jonny Two Bags and Chuck (Ragan)?

Jake: That was cool. I don’t know if I have one thing. I mean there are places I like to play, cities I like to visit. I think people you know, are pretty spirited and we always seem to have good people come out to our shows.

Polly: Yeah you do.

Jake: I don’t know why. I guess we’re just lucky in that respect that we have pretty nice fans that are respectful of other people. Other than those couple of fights at Zoey’s ha-ha!

Polly: Ha-ha holy cow! I was hoping you weren’t going to bring that up.

Jake: Ha-ha. Right? I mean have you had many fights at solo acoustic shows?

Polly: Geez no! And it was during one of your freaking ballads that they started pounding each other. It was because one guy was really getting into it and he couldn’t hear and the other guy’s – well F you and fists started flying and I thought, well thank God you kept playing.

Jake: People are serious about it! I got it going on…

Polly:  Yup they love you.

Jake: Ha-ha. You know I probably had my eyes closed.

Polly: Yeah, there you go. Ha-ha. Has there, ever been, other than the fight at Zoey’s, a bad experience? Like you pulled up to some place and it was totally not what you thought?

Jake: Yeah, but I’ve been doing this for a long time. There have been times we’ll go to some place and nobody would be there. Now it’s a little different. Now we can go to a place where we’ve never played before and people will be there! We went to Des Moines and there wasn’t a whole lot of people but there was maybe 150 which five years ago it wouldn’t have been like that.

Polly: Well, that’s cool.

Jake: I’ve had some funny experiences and heckling and all kinds of stuff.

Polly: How dare they heckle you!

Jake: Right? It happens though people get drunk…

Polly: He must’ve been drunk ha-ha.

Jake: He was drunk Ha-ha. He was drunk as shit Ha-ha!

Polly: Ha-ha! So you’re writing. You’ve got that old-west sensibility in your music and your songs could be like the sound track to a Deadwood film…

Jake: Hmm…

Polly: Are you a fan of westerns? Is that a lifestyle that kind of intrigues you or that’s just where the music takes you?

Jake: Yeah, I mean, some of my songs have that kind of western feel and some are entirely different. I always just let the song dictate whatever it does. I don’t ever set out to- now I’m going to write a country song here. Or okay that song feels more folk or that one feels more bluesy you know? So the songs go where they may and I just let them. Just let it happen.

Polly: So tell us something we don’t know about you. This is the boxers or briefs question.

Jake: Boxers or briefs…

Polly: Ha-ha.

Jake: Boxers or briefs…um I don’t know. I’m fairly athletic I had a baseball scholarship…

Polly: Oh Really?

Jake: I got a full ride in college. Played Division 1 baseball. I still enjoy playing golf and tennis.

Polly: Oh that’s cool. Where did you go to school?

Jake: It’s St. Mary’s college in Moraga, in the East bay. Same league as Pepperdine and Santa Clara.

Polly: Sure, wow.

Jake: That’s a little known fact. There you go.

Polly: That’s a cool fact.

Jake: Sure.

Polly: Is there a card or something with your picture on it?

Jake: Oh you want some proof of it? No, there’s no proof anywhere. Ha-ha.

Polly: Ha-ha you burned the pictures right?

Jake: Ha-ha, that’s good. I’m sure my mom has something but I don’t know.

Polly: Oh I would love to see that. You know you should do a throwback Thursday with you in your uniform.

Jake: That’s pretty clever. Alright, I‘ll consider that Polly. And I’ll give you a shout out if that happens.

Polly: Oh that would be awesome. People are amazed that we are friends, like my brother, now thinks I’m cool.

Jake: Ha-ha. Nice, that’s funny.

Polly: What advice, and this is your generic interviewers question, would you give to somebody that’s looking to be in the music business other than find a second job or make sure you graduate from school?

Jake: Um, I think that’s important but at the same time I think the biggest thing is to play as much as you can. Play live as much as you can. At least that gives you a fighting chance. To really hone your craft, to really write good songs that mean something to you and feel it. I think that’s the only way to approach it and to just stay at it, you know? I think a lot of it is trying to write songs that touch people, at least for me, and try to write something that moves somebody in any way. Whether it be something nostalgic or happiness, love, fear, heartbreak or you know there’s so many things. And don’t limit yourself. And if you do something that’s pure I think in the end other people will relate to that.

Polly: That’s so true.

Jake: And I think you have to kind of be talented to start with ha-ha.

Polly: Ha-ha.

Jake: Not that I’m saying I am particularly, but that probably helps ha-ha. Yeah, for me it’s fucking keep it honest, keep it real. You know there’s so much bullshit out there these days that people do. And don’t do something totally stupid. Ha-ha.

Polly: Like every other YouTube pop song that comes out.

Jake: Yeah…

Polly: Is there anyone that you’d like to collaborate with or go on tour with. Like if you had your wish right now, would it be like go on tour with Jason Isbell or… ?

Jake: Well for me I am a songwriter but I do have a family and I’m a businessman as well, so I have to… when I look at tours there’s got to be some way that I can capitalize. I’ve never had that career changing tour where I get to open for fucking Neil Young or somebody like that.

Polly: But would you want to?

White BuffaloJake: Tom Petty or Neil Young and play in front of fucking 10,000 people a night that are going to get it, would be the ultimate kind of thing. For me that’s the kind of tour that I would love. There are bands that I love but I think there’s a balance to those things. To check your finances, seeing if you can do it and seeing if at the end if it makes sense. In order to break into other markets and stuff like that, summertime especially, you just have to bite the bullet and you have to say okay I’ve never been to this place so I better support somebody and get there to these places. So I’m not starting out and I’m not playing in you know, Nashville, for 3 people. That you’re getting in front of somebody else’s crowd and hopefully converting some of those people to your Church and hope they come out the next time. The headlining tour with Chuck (Ragan) was cool. And I thought musically and our approach to songwriting and performing were similar. We just kept on getting after it, on and off stage every night giving our all. You know. I think I might have gone off topic…

Polly: No, I like it when you riff. How is the family?

Jake: Rilo and Tanner, the wife. Everyone’s good. Rilo is in 2nd grade. Crazy…

Polly: What?!

Jake: I know, yeah, he’s so big. Doesn’t want to hold my hand in the street anymore. Ha-ha, but he’s still a sweetheart. Yeah, it’s good. Everything’s good.

Polly: Is Tanner still into his music? Is he going to carry on the family business you think?

Jake: Ha, I don’t know I hope so. I heard him playing guitar today. Not sure if he’s going to be in Ventura but he’s sat in with me every once in awhile. I think I’ve got this other guy out which it should be fun.

Polly: Nice. So speaking of Ventura you’re doing the big show. They’ve called you up from the minors and you’re playing in the big leagues now, the Ventura theater.

Jake: Yeah, right? Well they shut down the best place in town (Zoey’s).

Polly: Ha-ha that’s nice of you to say.

Jake: Yeah, I think this is going to be a good jump. You know, but what else do you do? It’s like we play in Santa Barbara all the time. There’s really not that many great mid size venues. Soho is what it is, there’s the Lobero Theater in Santa Barbara. It’s all seated but it kind of doesn’t totally vibe with our drunken crowds. Ha-ha. But, Yeah, I’m excited. I’m little nervous. Hoping we make it feel good and fill the room up.

Polly: Well we want to get your fans out. It’s been awhile since you’ve played Ventura so that’s what we’re aiming for.

Jake: I hope so.

Polly: Have you thought about where you want to be in 5 years or is that too far into the future. You have goals?

Jake: In 5 years?

Polly: Or in 2015 you’ve got this album coming out…

Jake: Yeah, I’m always looking closer into the future than that. But I keep my expectations small so that hopefully next year is better than the year before. Partially it’s the nature of how I’ve built my business and how I’ve built the fan base. It’s just slowly and surely I just keep churning out songs and keep playing and performing. And you know it just keeps getting a little bigger and a little bigger and it seems like more people come every time. That’s just how it’s been which has been good.

Polly: As it should be.

Jake: Yup. I’ve been lucky.

The White Buffalo www.thewhitebuffalo.com, at The Majestic Ventura Theater Saturday Sept 20th 7pm doors/8pm all ages show. Tickets www.venturatheater.net

Interview: Eric Rachmany of Rebelution

Rebelution – 2 shows, December 30 (sold out) and December 31 2013, New Year’s Eve, at the Majestic Ventura Theater.

Before sound check for their show tonight (Dec 30) at the Majestic Ventura Theater, I got to talk to Eric Rachmany, lead singer, for Rebelution. He waxed nostalgic about his time in the 805, his first show at the Ventura Theater and what the band’s philosophy is all about when it comes their music.

Just a sample:

Polly Hoganson:  How you doing?

Eric Rachmany:  I’m Great!

Polly:  How’s the tour going so far?

Eric:  It’s been great, we had a little bit of time off we’re recording our next album for the last couple of weeks and then we just played a couple shows in Santa Cruz. Then we have these Ventura shows and then we have a couple shows in Orange County.  We start our big tour in February.  That’s like our winter tour.

Polly:  I saw your schedule, it’s pretty gnarly.  It’s exciting you’re criss-crossing the country then you’re also making time to go to Thailand?

Eric:  Right Yeah, we have a festival to play in Thailand on March 1st

Polly:  Have you ever been?

Eric:  I’ve been to visit but never to play.

Polly:  That’s cool.

Eric:  Yeah

Polly:  I was on your website and you have the video “Skys the Limit” posted.  I really like that song by the way. 

Eric:  Oh Cool

Polly:  You have a great voice.

Eric:  Thank you

Polly:  It was directed by Marley (bass player) and  it looks like you shot a lot in Isla Vista.

Eric:  We did, we thought it was probably a good idea to go back to where we got started and just kind of feel the vibe of Isla Vista while we were filming the video.

Polly:  Whenever you come back to the 805, is it nostalgic?  Does it bring back memories for you guys?

Eric:  Definitely, you know we spent a pretty substantial amount of time here both while we were in college and then actually after we all finished school we all stayed in the Santa Barbara area for a few years. Although we weren’t here a lot of the time we were touring this was still our home base and you know when we got dispersed to different parts of California now but Santa Barbara will always be our home.

Polly:  Now when you got started in ’04, does that seem like a lifetime ago? Or does it seem like yesterday?

Eric:  It feels like yesterday.  It really does.  Time has flown by it’s really hard to believe it’s almost 10 years ago. That’s actually mind blowing to think about. We’re just having so much fun with what we’re doing.  We love performing we love playing and recording music and when you have fun doing time flies by that’s the truth, haha.

Polly:  Haha!   Well looking back through the years and where you’re at now is the journey what you thought it would be?

Eric:  You know I think since I was a little kid I always thought the music I was apart of would be exposed to the world somehow.  I didn’t really know what it would take to do it. So I feel like that has happened and I’m thrilled that I’m playing music for peoples.  I can do this for a living. But I didn’t really know what it would feel like or the steps we would have to take to get our music out to people around the world you know?  I think with Rebelution we played so many shows starting from Isla Vista, playing small clubs to festivals, outdoor venues and amphitheaters now I think we’ve done so many shows that we are confident in what we’re doing and although 10 years have gone by very fast it’s been a nice, slow progression for the band so I think in that regard we feel very comfortable in what we’re doing.  It’s not like we’ve had this huge jump in success.  You know we’re an independent band and we do everything our selves. We’re kind of rising slowly but surely. We’re really happy with that.

Polly:  That goes to my next question in that you guys are pretty DIY.  Is that the direction where you think the music business is going?  Bands are pretty much going to do their own thing?

Eric:  You know, I think the music that we play isn’t really typical for the music industry latch on to.  That’s what I think a lot of the bands we’ve come up with both in the Santa Barbara area and around the country that play similar music to us, are all independent as well.  I think the bands just like us we do it for the love of the music, we do it to spread a positive message, to bring happiness to both ourselves and to the crowd, to the people.  We like staying independent there’s no pressure,  we write music that we love and that’s what it’s all about.  It’s not about making money for us it’s about you know staying positive and keeping a big smile on our faces as we get older. You only live once and we’re trying to live that way. Haha

Polly:  Haha, there is that philosophy that if you do what you love and eventually you’ll reap the rewards.  So it sounds like you’re time is at that point. 

Eric:  Yeah, and I understand it’s really hard to make a living out of this business and the music industry is really cut throat and that’s another reason to stay independent.

Polly:  Right.

Eric:  And It’s also I don’t need a reminder as to why I’m doing this.  We get out there and we play the music that we love and it’s always been that way since day one.  And while we’re happy doing what we’re doing there’s no reason to change our philosophy, change our sound, we do it because we love it.

Polly:  I’ve always been fascinated by how a group of friends get together and form a band.  How did it come about that you guys in college decided to hey one day, let’s make music.

Eric:  Yep, I was always into music when I was a kid. I started on piano then moved to guitar. Once I got to Santa Barbara City College I took this songwriting class. I just fell in love with it.  I don’t know.  The first thing they make you do in class is play one of your own songs.  I’d never done that before and I never thought of myself as a singer.  I always thought of myself as a musician/guitar player and I got up and sang a song and I listened to everybody else and I was able to form some friends and felt really comfortable at it.  And it was through that music dept at City College that I met our bass player Marley and we both shared a love for reggae music and we figured that out in a relatively short amount of time.  Then he found our drummer Wes in another music class us three got together and then we met our keyboardist Rory along the way and then we were jamming a lot of classic reggae tunes like Sublime, this was the kind of music we all related to at the time.

Polly:  Sure.

Eric:  And then we played a show wow this is the most fun we’ve ever had and we just kept on doing it.  Next thing you know we’re writing original music and I think it’s because of that one songwriting class that I gained that courage to you know sing, because I’d never really done that before.

Polly:  Well you’ve got a great voice.  I love your voice.

Eric:  Thank you

Polly:  Any tips for up and comers, that you know you would recommend?

Eric:  Just what I was touching on earlier you just have to love what you’re doing and not think about the rewards, like you were saying if you love what you’re doing the rewards will come.  It may not be like a monetary thing.  It’s important to just play music for the love of playing music.  You should never really forget that.  It is I understand it’s very difficult to be a musician full time but yeah, but from my experience it is possible to be an independent band and to play music for a living.

Polly:  Sure.

Eric:  We worked really hard played multiple shows.  I think it’s important to get out there and perform live.  Nowadays it’s very difficult.  The major record label would never go over with us basically what we do.  We’ve always wanted to do it ourselves.  It’s definitely possible.

Polly:  When you listen to music, when you’re on the road, who’s on your iPod?

Eric:  Haha good question.  To tell you the truth I’ve been writing so much because we’re preparing for this next album so um I’m not really sure who I listen to.  Obviously I’m a big fan of reggae music, once in a while I’ll check out what music is coming out of Jamaica and around the world.  A lot of the times I’ll start listening to stuff I used to listen to whether it’s hip hop, rap, metal, punk rock, there’s folk music, oldies, I’m a big Beatles, I love everything.

Polly: The last record that you guys put out, “Peace of Mind”, what was the evolution of and the thought process of putting out a triple record? (A regular record, an acoustic version and a dub version). That’s pretty ambitious.

Peace of Mind albumEric:  Yeah,  I think it was our love for different types of music that we decided to do that.  We always talked about doing an acoustic album but the idea stems from our good friend and manager Dean who said what if we released it all together?  I thought it was a great idea and I love playing acoustic.  It was relatively easy when we went in the studio we were just free with it and had the acoustic album in a few days.  I think we’ll try and do something like that in the future.

Polly:  Well it’s a great record and I appreciate the acoustic aspect of it.  To see what it sounds like without all the bells and whistles.

Eric:  Yeah, haha.

Polly:  You guys did a really good job.  I did see that you posted some pictures that you guys are in the studio now.  Going to hear anything new and different?  Or pretty much, you follow the same formula, but try and change it up here and there?

Eric:  Yeah.

Polly:  Going to be along the same lines?  Or are you bringing in more cow bell?  Haha.

Eric:  Haha, yeah well it’s actually confidential information.

Polly:  Haha!

Eric:  It’s really hard to explain. PEACE OF MIND was probably our most creative album to date.  It had a lot of different styles of music.  This one I think is different but it’s similar than that it’s got a different style.  I really can’t describe it.  But I think everybody will be happy. There’s something for everyone I think is the best way to describe it.

Polly:  That’s cool.

Eric:  But I think it’s the most thrilled I’ve been about recording an album ever.  I think that’s got to say something.  But like I said earlier we love doing what we do.  It feels good the way we recorded this.   The vibe and the energy that went into it, I think people will be into it.

Polly:  I’m sure they will.  You never let your audiences down and that’s why you guys are so popular.  You’ve got a sold out concert tonight (Monday, December 30, 2013 Ventura Theater).  That’s exciting.  Two nights at the Ventura Theater.  You must be excited about that.

Eric:  Definitely, yeah, a little funny story.  The first time we played the Theater we shared an opening slot with Iration they kind of started in Isla Vista as well.  Whichever band sold the most tickets was the one that would get direct support from the artist Yellowman (headliner) I ‘m pretty sure Yellowman didn’t bring anybody.  The Theater relied on us and Iration to sell all the tickets. It’s funny just thinking about that and fast forwarding to right now and playing 2 nights at Ventura Theater and how we remember our first start there.

Polly:  It must be a great feeling.

Eric:  Yes, it is. It’s a legendary spot for us.

Polly:  Eddy Numbskull is bringing you back to Ventura.  You guys collaborate a lot? He’s a good friend.  A great guy that puts on a quality show.

Eric:  Definitely, we always had a pretty good relationship with Eddy. For a long time now, and he’s been promoting our shows for several years.

Polly:  I  see you’re super popular in Guam.

Eric:  Oh Guam. Yeah.

Polly:  It’s funny because my parents are from Guam.

Eric:  Really?

Polly:  Yeah, I wanted to know if you had any of the local cuisine while there. Haha.

Eric:  We had a lot of amazing fish while I was there.  I forget what other local stuff.

Polly:  Red rice is big, BBQ Ribs…

Eric:  Yeah, Guam, the first time we went to Guam one of our songs was a big hit.  I think it was “Safe and Sound” and it’s still to this day probably one of the most amazing shows we ever played because we were a small band from Isla Vista and all of a sudden our music became this big hit on this island and we played a show for about 6000 people.

Polly:  That’s awesome.

Eric:  That was an amazing feeling definitely.

Polly:  And they love to party and they love to dance.

Eric:  For sure.  We went to a small Chamorro village and it was spectacular going to this small village and seeing how people had been living for decades and the culture. It was amazing.

Polly:  A lot of great musicians, bands started in the 805 some still make their home here like Ozomotli, Toad the Wet Sprocket, Big Bad Voodoo Daddy, all those guys came up through the 805.  What is it about this part of California that makes it such a fertile ground for live music?

Eric:  Yeah, I think the college town is big for us.  Because there are a lot of people we played to. Isla Vista all jam packed in a small community.  All the students were young and they were hungry for music.  Typically it’s the younger crowd that comes out to see live music.  They are searching for different types of music.  A lot of people visit Santa Barbara. It’s a beautiful place.  You have the coast, the ocean the mountains.  You can see all sides.  Santa Barbara is a perfect way to describe California. Santa Barbara and Ventura too is both warm and cold.  I think that California in general is a melting pot.  There are so many different kinds of people here.  It’s also a spot that you get a lot of people from down south and up north coming to this area.  It’s a place that makes people happy.  You want to rejoice.  You want to be surrounded by the arts,  the music, dancing.   In that regard it’s a great place for that.

Polly:  Now both nights are all ages shows.  Is it important for you to always get the music out to all ages?

Eric:  Yeah, I like to it’s preferably to a 21 and up show.  We think our music relates to all different kinds of people. It’s funny I have grandparents that listen to our music and little kids, like our cousins, 2, 3 and 4 years old that fuss when our music doesn’t come on in the car.  Yeah, I think we’re trying to spread a positive message and there is a lot of negative music out there we hope we’re getting people on the right track.

Polly:  I really love your music.  It is feel good music and it is for the ages.  Any New Year’s resolutions?

Eric:  Haha, that’s a good question.  I got asked that question last night.  Just keep writing music. Just keep on being creative.

Polly:  I sure appreciate your time.   Have a great show tonight, Happy New Year.  Travel safe, looking forward to hearing your new stuff in ’14.

Eric:  Perfect, thanks so much Polly. Appreciate it. Talk to you soon.

(See photos that VenturaRocks.com took at the Monday night Rebelution show:
http://venturarocks.com/blog/rebelution-at-ventura-theater/)

Eric Rachmany – Vocals / Guitar
Rory Carey – Keyboards
Marley D. Williams – Bass
Wesley Finley – Drums
Khris Royal – Sax

www.rebelutionmusic.com
http://www.venturatheater.net/
REBELUTION ON STAGE

New Year’s Resolutions

It’s New Year’s resolution time again.  To make promises to better ourselves or to quit doing things that we feel are harmful to us or to others.  This tradition dates back to ancient Babylonia and was first celebrated in March. Then those feisty Romans changed it to January in honor of the God Janus.  He was the patron of arches, doorways, beginnings and endings.  I contacted several locals to see what they are resolved to do and was buoyed by their positive messages and the notion that 2014 is full of promise and inspiration.  We hope you and yours have a very happy New Year!

  • Cheryl HeitmannCHERYL HEITMANN
    Mayor Ventura, CA – “Better time management!”
  • ShelbySHELBY FIGUEROA
    Singer/Songwriter – “Spend more time with friends & family and to take more pictures!!”
  • SHANE ALEXANDER
    Musician/SingerShane Alexander/Songwriter – “I’m a Buddhist so I literally start EVERY day with resolutions – to be the best man I can be, to be the best artist I can be, to develop and maintain a blissful life condition and to keep my home-life balanced and flourishing.”
  • bill locey_100BILL LOCEY
    Music writer Ventura County Star – “I live as if every day is New Year’s Eve, Christmas and my birthday”
  • DOUG PETTIBONE
    Doug PettiboneMusician/Singer/Songwriter John Mayer band – “This year I will try to be the best father, husband, friend I can be.”
  • GUY MARTIN
    Blues/Rock Musicianguy martin_t – “My New Year’s resolution is to write, record and produce a long overdue original album. My last effort was in 2000.  Lots of unfinished music has been written since then!”
  • MB HanrahanMB HANRAHAN
    Artist/Muralist – “Never do something ‘only for the money'”
  • KYLE HUNT
    Musician/Singer/Songwriter – “Aside from the usual resolutions like trying to live Kyle Hunthealthier and get in shape, I’d really like to release the new songs I’ve been working on. I’m looking forward to sharing them with everybody. On top of that I’d like to go see a lot more live shows. I’d like to check out some of the bands I haven’t had a chance to see.”
  • Todd HanniganTODD HANNIGAN
    Musician/Singer/Songwriter/Producer – “No resolution this year.  I usually end up breaking them all year.”
  • MARK MASSON
    Mark MassonMusician Shaky Feelin’ – “My New Year’s resolution is to live everyday to the fullest appreciate all my friends, family and even all of my lovely acquaintances around Ventura. Life is short and we never know when it’s going to be taken away from us. Oh yeah and work out and stay in shape, drink only the best beer and keep on playing my music and rocking hard to pursue my dreams for me and other people who are pushing for me. Basically my resolution is to just try and be a better person.”
  • Jodi FarrellJODI FARRELL
    Music/Voice teacher/Singer -“To thine own self, be true”
  • LISBET FREY
    Owner/Partner Green Art People – “I can tell you this I have Lisbet Freyresolved to have more fun (unrelated to work) and to connect authentically with friends, family and music. I want to be more present and live and make connections out of love, not obligation. I also plan on working on my own music this year and getting back into singing/writing.”
  • Brendan Willing JamesBRENDAN WILLING JAMES
    Musician/Singer/Songwriter Member of Grizfolk- “I resolve to be conversational in Swedish by the end of the year, to meet Steven Colbert, and eat sushi in Japan.”
  • Christina DiazCHRISTINA DIAZ
    Artist/Editor in Chief E-Volved Magazine – “My 2014 resolution is to continue to stay sober (I have a 15+ months) and keep moving forward.”
  • Amanda PeacockAMANDA PEACOCK
    Rock Photographer –“I think my New Year’s resolution is: Less time spent on social media, less time spent in bars (did you know that I don’t even drink?), more time with Family and friends, connecting on a deeper level. The past year has brought me new insight to what matters most.”
  • DiegoDIEGO GAMBA
    Manager Bombay Bar & Grill – “To make downtown (Ventura) safe and thriving and to provide quality local entertainment in a safe and fun environment.”
  • PerlaPERLA BATALLA
    Musician/Singer/Songwriter/Producer – “Every moment counts so I plan to pay close attention and take regular tech breaks for goodness sakes!! And most importantly I plan to continue to love big, always love big!!!”
  • Jim RiceJIM RICE
    Executive Director Bell Arts Factory – “My resolution is to have a new resolution every day …not just once a year….but a lifestyle resolved to simply be… “BETTER”.
  • TOMMY MARSH
    Blues/Rock Musician “My resolutions are many…Tommy MarshLOL, lose some weight… Love my friends and family more apparently and deliberately… To give more of my time and substance or help others find their path or get back onto it… And of course the biggie…To WIN IN MEMPHIS!”
  • John ReeseJONNY REESE
    Owner Amigo’s Surf Cantina  “I am resolving to take better care of myself and the people I love. Be more open to new and different music styles!”
  • Samantha RossSAMANTHA ROSS
    Comedian/Acct Exec VC Reporter – “I’m looking forward to 2014. Although this year was positive creatively, 2013 was challenging professionally. I was afraid of change, but in the end it was the best thing for me. This next year, I’m going to embrace new experiences and focus on a little thing called follow through.”
  • Tom HiltonTOM HILTON
    Radio personality KVTA Tom & Sandy’s 805 – “My New Year’s resolution it’s to lose 10 LBS without cutting down on beer LOL!”
  • pamPAM BAUMGARDNER
    Owner VenturaRocks.com – “My New Year’s resolution is to create and maintain a well organized office. It will help smooth the way for getting more projects done. Oh! and dance more!”
  • POLLY HOGANSON
    Music Advocate and Writer VenturaRocks.com – “Well I hope to travel to where ever Paul McCartney is and enjoy a once in a lifetime live concert.  Pick up an instrument, I think I have time now, and live a simple, healthy life, physically, mentally and spiritually. Here’s to 2014!”

Steve and Polly Hoganson

Christmas with Claud Mann and wife Perla Batalla – Sharing precious time with family is the best gift of all.

I reached out to one of the most talented couples I know for their favorite holiday recipe.  What a pleasant surprise when I was rewarded with this lovely gift.  Their Christmas dish and accompanying story is filled with a long history, a rich family tradition and most of all love.

                   POSOLE DE PERLITA

claud perla evaPosole soup is a one-dish Mexican supper my wife Perla’s family has shared every Christmas as long as anyone can remember. Simultaneously comfort and celebration, the hominy and pork (or even free-range turkey) soup is passed around the table, and each person garnishes a huge bowl of the broth, hominy, and shredded meat in a different way: avocado, shredded cabbage, fresh chiles, radishes, cilantro, onions, chile sauce like creating a beautiful garden in the center of the table, and conversation plays as big a part in the dish as the edible ingredients.

This recipe began with Perla’s grandmother. I suppose anything that comes from a grandmother’s hands is comforting. On our very first date, Perla’s mother and grandmother were making posole soup at her sister’s. It was my first visit there. Her mother is Austrian-Hungarian, but she grew up in Argentina and learned to cook from Perla’s father, who was from Acapulco. Every single Christmas, Perla’s mother would buy a pig’s head from Grand Central Market, the only place that supplied Mexican foods and produce. Back then the reason to cook the head was economical: use every part of the animal. Today it’s more expensive to buy the head than the rest of the pig’s body.

Now when I make the soup I use a pork shoulder, which is called the butt. (The derrière is actually the ham.) And I use pig’­s feet, to replace the flavoring the cartilage from the head would have provided. Unlike other stocks, there’s no mirepoix. Just garlic, bay leaf, and black peppercorns. Perla’s mom wouldn’t add more than water and salt. Still, this version has met with her approval. The key to a great stock is to keep the water just this side of simmering so the meat doesn’t dry out and the fat isn’t incorporated into the stock. At the family gatherings someone is always famished and goes over to the stove to turn the heat up to a boil and speed things along, but you can’t do that. It’s a long simmer, but as soon as you can pull the bone free, the soup is ready. You pick off the fat, shred the meat from the bone, and serve it in a separate bowl.

I’ve been tempted to use fresh hominy, but Perla is convinced that the real dish needs Mexican white hominy: large, rough kernels straight from the can.

It’s the condiments that reflect the regional aspects of Mexico. Perla insists on the purity of a white broth, while I am of the red school, so I make a red chile puree and leave it on the side as another condiment, which I swirl into the clear stock. We always add Mexican oregano, crushing the leaves between our hands so that the smell is everything. And then tons of lemons; each person squeezes half a lemon into the soup, which turns the broth cloudy. And then we pass around the various condiments. We know some families who offer red cabbage as well. And some who put green apples in the soup. And the only other side dish we serve is fresh tortillas.

For fifteen years I have cooked posole soup for our family at Christmas. So it is a complete meal. And it’s so filling! Partly because you end up eating at least three bowls . . . until you need a nap. Which is a good thing, because by that time someone’s started an argument, so it is a good time to retreat to the couch.

Note: Mexican-style hominy is found in Latin American groceries. Try to purchase half-cooked hominy from a tortilla factory and finish cooking it at home. Alternatively purchase posole from a health food or gourmet store and cook according to the directions, 3 to 5 hours. Fully cooked canned or frozen hominy is available at most grocery stores.

 

POSOLE DE PERLITA Serves 10 to 12

For the soup 3 pounds bone-in pork shoulder butt, cut into 4 pieces 3 pounds pig’s feet, neck bones, or shanks, cut into 2-inch-thick pieces (have the butcher cut these for you) 2 large white onions, quartered 2 whole heads garlic, halved across the middle 1 bay leaf 2 tablespoons sea salt 4 cups fully cooked Mexican hominy (see Note) 1 recipe Ancho Chile Sauce

For garnish, optional Coarsely ground dried red chile Dried Mexican oregano Finely chopped white onion Halved lemons and limes Finely chopped red cabbage Thinly sliced radishes Diced avocado 1 recipe Ancho Chile Sauce

ANCHO CHILE SAUCE

Makes 2½ cups

6 to 8 dried ancho chiles, stems and seeds removed, coarsely torn 1 teaspoon sea salt 1 teaspoon sugar 2 tablespoons white vinegar Combine the chiles, 2½ cups water, salt, sugar, and vinegar in a small nonreactive saucepan over high heat. Cook for 5 minutes. Cool slightly and puree in small batches. Strain and pour into a serving bowl.

Claud’s Bio:
Chef de cuisine for Dinner & a Movie, Claud Mann graduated from the California Culinary Academy and cooked his way up and down the West Coast, including stints as executive chef at the five-star Palmilla Hotel in Cabo San Lucas and Nicola restaurant in Los Angeles. His nonprofit endeavors include Project Open Hand and his own guerrilla catering company, Eat the Rich, which simply never made a penny. Claud also co-runs Mechuda Music, an independent record label, with his wife, vocalist Perla Batalla. They live in Ojai, California, with their daughter, Eva, and are breaking ground on a home-style organic restaurant.

Excerpted from Cooking from the Heart, © copyright 2003 by Michael J. Rosen and Share Our Strength, and reprinted by permission of Broadway Books.

Claud Mann  Email:  foodstories@mac.com

Interview: Todd Hannigan

Todd Hannigan was navigating his way to LA to see friend and business partner, musician Jesse Siebenberg, who was playing at the Fonda. I had the pleasure of talking to the singer/songwriter, record producer and Grammy winner who had a lot to say about music, surfing, film-scoring, turning 40 and his hometown of Ventura, California.

Todd Hannigan

photo by Bridgette Lopez

Polly:  You grew up in Ojai or Ventura?

Todd Hannigan:  Both actually. We went between Ojai and Ventura but spent most of our time in Ventura and I went to Ventura High.

Polly:  In high school I was like a hippie theater geek, what kind of group did you hang out with?

Todd:  I did as little time in high school as I could, haha, but when I was there I hung out with the surfers and I also played golf and tennis.   But mostly surfers, and I was trying to get out of class so I could ride the waves.

Polly:  So Surfing was a big deal for you as a teenager growing up.

Todd: Yes it was like the biggest deal.

Polly:  I saw the short film posted on your website. Tell me about the Patagonia “Worn Wear – A Film about the Stories We Wear” project and how did you get involved?

Todd: I was talking to Lauren and Keith Malloy (local surfer/film maker) and they thought they’d be making a short called Worn Wear and I told them I’d like to be involved tell me a little bit about it and when it came time to do the music I was doing stuff with Emy Reynolds, a few other people and Lee Koch was going to be involved.  So I’d already been working on most of their stuff, so usually Keith asks me to do music for them.  We actually co-wrote a song that’s in there.

Polly:  I recognized Emy right away, her music starts out at the beginning of the film.  Who else plays on it? You play on it and then you got the Malloys?

Todd: Yes, me and Keith but I’m still getting the artist list together I apologize.  One of the things I’m doing right now is getting an official list of all the songs that made it in and I’m going to post it because a lot of people have been asking where to buy it.  Plus I didn’t do all the music so I’m still getting all of that together.

Polly:  Well it’s a beautiful sound track and I can see how people are interested in getting it.  What is the process that you go through in scoring a film?

Todd: Really I try and spend a little time before I start, getting a real good idea of what the director wants. A lot of the guys I’m working with nowadays are more experienced and good at telling you what they want or whether you’re allowed to do what you want.  There’s a couple different styles of how you approach scoring.  See what comes to mind first.

Polly:  So it just depends on the director then, sometimes they have a clear cut specific idea and you collaborate and other times he gives you free reign.

Todd: Sometimes they say write something and they’ll send me the idea/theme and dialogue or they’ll send me a theme with a track of something they can’t afford like a Rolling Stones song with the tempo to cut to, and what the images look like and the rhythm they’re looking for. From that you get the picture of what they want.  I match the tempo with our song and throw that Rolling Stones sample track out.  That way our song matches all the same cuts.

Photo by Cliff Montgomery

Photo by Cliff Montgomery

Polly:  Patagonia is such a huge presence in Ventura county and around the world. A unique business that’s more a way of life. Do you know and have met Yvon?  (Chouinard, owner of Patagonia)

Todd: Yes, we’ve met. I’ve actually spent several hours recording an interview at the old Brotheryn.  He told a lot of cool stories and a lot of my friends work there.

Polly:  The Patagoina’s philosophy seems to have influenced in my opinion your lifestyle and a lot of people in Ventura.  Do you see that?

Todd: Yes, I agree with that. I don’t do much climbing but I surf and do like their message with the worn ware philosophy. To re-think the disposable economy and plan on keeping your stuff for a couple generations and learn how to fix your stuff and buy stuff that will last at least your lifetime.  Especially now during the holiday shopping season their campaign says a lot. And if they have the balls to do that with their advertising campaign then I should try and look long term.

Polly:  This is another great Malloy project. You’ve been collaborating for years. How did that happen?

Todd: We started hanging out together at Emma Wood and down around California St a long, long time ago when I was probably 9 or 10 years old. Then when I first started playing guitar I couldn’t wait to show them my first riff or my first set of chords.  And when I saw Nick Drake I told them hey check this guy out or check out Robert Johnson. We’ve been really connected musically for years.  So when they need music they call me.  I was able to come through with a couple songs initially and as they’ve grown I’ve become more involved and that it’s been good shit. I’ve been really lucky, yeah lucky.

Polly:  It seems like they started out surfing and now they’re making their name in the film world which is pretty cool.  So you’ve done a lot of soundtracks at Brotheryn.

Todd: We actually got nominated for a second Grammy a couple days ago.

Polly:  A second Grammy?

Todd: Yeah

Polly:  That’s awesome!  I was going to talk to you about The BIG EASY EXPRESS. (Brotheryn 2012 Grammy winner for best long form music video featuring Mumford & Sons, Edward Sharpe & Old Crow Medicine Show)

big easy express photoTodd: Right, which we mixed.  That was one we didn’t write any music for because it was about bands who make music themselves. We mixed all of the sound, the dialogue editing and final mastering.  Big Easy was really fun to work on, a very exciting project by Emmett Malloy. That’s actually the first time I’ve worked with Emmett.  I’ve always worked for Chris, Keith and Dan (Malloy) and when Emmett hired me it was really kind of cool.  It was his first Grammy too.

Polly:  That’s a great accomplishment, so what’s the second Grammy award for?

green day cuatro posterTodd:  It’s a film called “Cuatro!” a documentary about Green Day.  We mixed a while ago, last year, but for some reason it really got no press, nobody saw it, nobody heard about it.   I was really surprised when it was nominated.  It’s a great film.  A friend Tim Wheeler directed it and Tim Lynch produced it the same producer on the Big Easy, they are the guys from Farm League down in Santa Monica where I get a lot of work from.  Farm League has really been responsible for getting me a lot of the work that I’ve been doing and I owe them a lot.

Polly:  It seems like the connections that we make even at a young age and the friendships it kind of leads to other things and grows and these days, it’s really who you know.

Todd: Yeah, we definitely have to have the opportunity to do good work and to even learn how to do it.  You also have to deliver once you get hired.  I’ve been in a position before where some friends were getting really popular or famous and making some moves and I wasn’t ready to go along for the ride, I didn’t have enough experience.  You really have to be in the right place at the right time and be ready.  So you work your whole life and try to get good at something and hopefully you get the opportunity to show that on a larger scale.

Polly:  Your studio in Ojai – Brotheryn is a full service recording studio?  Who are the musicians you’ve worked with in studio?  

Brotheryn StudiosTodd: This year – a musician named Johnny Boyd, Lee Koch, Dan Grimm, Dave Palmer are projects we’ve done this year.  Jason Mariani does a lot of the music work, a lot of the mixing and is the head engineer at Brotheryn.  A lot of the bands contact him directly where as I’m more hunting down filmmakers specifically.

Polly:  Your partner in Brotheryn is Jesse Siebenberg, who’s been out on tour with Lissie.  How did you guys meet?

Todd: Well, you know that’s so funny, I met Jesse Siebenberg when I was hired to do a session for a guy named Syd.

Polly:  You mean Syd, Syd?  (Erin Sidney, local Producer, singer, musician and drummer for Mia Dyson, The Pullmen, Hotels and Highways)

Todd: Yes, he was coming in to do his record when he was working with Hartley (Fitzgerald-Hartley) back in the day.  That recording session with me was long, long ago.  I had no partners, I was by myself at the Haley ranch (first Brotheryn Studios location in Ojai).  He said he has this guy coming in that’s going to play drums, guitar and bass on the album and he’s awesome and it was Jesse!  Jesse came in and said hey I can’t believe this place is here.  He’d been in the area for awhile but didn’t really have anyone to record or hang out with.  He said you know I have a bunch of gear and maybe we can figure out a situation where I can leave it here and use it whenever I need to.  So a week later we get a U-haul, drive it up to his dad’s (Bob Siebenberg drummer for Supertramp) place in Yosemite. We got a mixing board, mics, a bunch of stuff and we became partners basically right then and there.
Todd and Jesse Canyon ClubPolly:  That must have been a long time ago.  Was that in the 80’s?

Todd: Hahaha, I wish we had started back then, no I was still in school in the 80’s.

Polly:  Oh right haha.

Todd: It must have been around 2001.  No, 1999, I remember having conversations about Y2K with Jesse.

Polly:  Right, all the world’s computers were going to shut down.

Todd: Yeah.  Back then Jesse hired Jason to do some mixing on another record and also on Syd’s record.  Jason was freelancing in L.A. and we were giving him more work than he was getting in L.A.  We told him move up here, in fact just bring your stuff up here and it’s worked out for everyone involved I think.

Polly:  How did you get started as a musician? You mentioned you were about 10.

Todd: Well, I was infatuated with music as a listener.  My brother had a guitar when we were growing up which he would hide from me but eventually let me play it.  My dad also had a roommate who had a guitar who let me use it.  I would play every day for months and months, I wouldn’t put it down.  After a while I got pretty good pretty quick.  Then my uncle Peter a classical guitarist showed me a couple classical pieces where I’d have to use my fingers. Which is the style I use to this day.  Then I’d just jam to cassettes. I listened to a lot of psychedelic music, a lot of Hendrix.  I’d just play guitar, no real songwriting, then record on a cassette deck.  When I was about 25 for whatever reason I sang a song called “Blue Sky” and my friend who was making a movie heard it.  He asked hey who’s that?  I want to use that in my movie.  Well, that’s me.  He said bullshit I didn’t know you could sing?  I said I didn’t either.  And that track made it into the movie.

photo by Pam Baumgardner

photo by Pam Baumgardner

Polly:  That’s incredible.

Todd: Yeah, then I knew, wow that’s pretty crazy. So maybe I should write some more songs.  So I ended up doing that.

Polly:  And it’s served you well.

Todd: Well I didn’t write my first song with lyrics until I was 25.  Anybody can do it as long you have passion for it then you should just do it.

Polly:  You really need to have passion.  

Todd: With surfing and music the one good thing is how it’s always different.  Like waves are always different or your mood, that’s why I never get bored with music or surfing.  And that’s why I love music – to go in and create is my favorite thing to do.  It gets even more fun the longer you do it.  Like surfing.

Polly:  I checked your website and FB.  You just put up some new tracks.  Are you working on a new record?

Todd: Yes, I’ve put a lot of new music up on my website because there are some composing agencies in L.A. and San Francisco who wanted to hear examples.  So I posted those.  To give those folks an idea of my writing style for film opportunities.

Polly:  What’s your process when you write a song?  Do you hear the music in your head or do the lyrics come first?  

Todd: Usually I’ll start playing a melody on the guitar, a certain rhythm will inspire me for the most part.  Sometimes I’ll wake up with a lyric.  Not to be too literal but it could also be something that happens in my life that will inspire me.  Sometimes the music and lyrics can come at the same time like with the song “Where I need to be”

Polly:  I was listening to your song “End Game” and there is a line that I thought was really interesting you say “I’m going to keep on trying til my dying day and I’m going to keep on dreaming until they take it away”  Is that a message you’re sending out to the Universe of where you’re at?

Further Than the BowTodd: Well I’m trying to convince myself…

Polly:  Hahaha

Todd: Definitely to other people, and as you know life can beat you down a little bit.  You don’t have to look far to see that.  Often times I write songs to convince myself to keep trying harder.  In this case it’s about a goal.

Polly:  So I wanted to share something with you I don’t know if you realize this but there are some circle of friends who lovingly refer to you as Todd Hattigan because of your hats. Did you know that?

Todd: Haha.  Oh my God.  That’s funny.  I’m trying to grow my hair out so I don’t have to wear hats.

Polly:  What was your most memorable gig?

Todd: The Canyon Club with Jackson Browne.

Polly:  That’s cool.  Where is your favorite place to surf around the world?

Todd: Favorite place?  Probably here when the waves are good.  It’s a great feeling to be at home and be surfing.  When the waves are pumping and there’s not a lot of people in the water.

Polly:  What advice would you give to up and coming singer/songwriters?  Any words of wisdom?  I know part of it is to make sure you have the passion.

Todd: If I was starting out and I ran into myself in the future I would really wish I had read the book Outliers by Malcolm Gladwell  which has a little bit to do with music but mostly about how to get good at anything.  He talks about meeting your 10,000 hours. It’s really fascinating and I’d really recommend it. For me I’m just starting to feel like I’m owning what I’m doing as an artist.  It’s a lifetime choice to be involved in music and it’s not about the money. It’s something you choose to do because it makes you feel good and hopefully you have something inside of you that you want to share with the world.  Doing it for the right reasons and know that it’s going to take awhile.  And get a second job that allows you to do your music is something I figured later on.  My job in studio allows me to not depend on making money playing music as much. That helps me writing wise that let’s me write stuff that I believe in. Be a waiter or server or anything that pays you as much money in as little time as possible so you can play and write the rest of the time.

Photo by Amanda Peacock

Photo by Amanda Peacock

Polly:  Right.

Todd: And don’t be afraid to play gigs.  I was petrified Polly, when we played our first gig at your old place upstairs.  I was so, so scared.

Polly:  You’re kidding!

Todd: Oh my gosh I was so scared for the first couple of years but you know that was a really, really cool way to jump into the music world.  But I think maybe even the first 25 gigs at Zoey’s actually…haha

Polly:  It definitely is the more you do the more comfortable and better you get.

Todd: Yes, that’s what I was trying to say it helps doing open mics and what you were doing where you were encouraging up and comers.  Another thing I would suggest is don’t be so concerned about money from the gig so much.  Just play as many gigs as you can so you get better at your craft.  Then you can worry about making a livelihood from your craft as you get better.  Don’t put money before the craft, put it after.

Polly:  That’s good advice.  Well I was going to ask you, because you just recently had a birthday…

Todd: 40!

Polly:  40 years old really…

Todd: Four Zero

Polly:  How do you feel about that? hahaha

Todd: Oh man, I don’t know, how should I feel? I don’t know, I was fine for my 30th .  As far as turning 40 I’m trying to ignore it and keep running laps and eating organic food.

Polly:  I don’t think age is that important anymore as far as a number.  I think it’s just what’s in your heart and what you put out there. I mean, 40 is like the new, what 29?

Todd: Hahaha, yeah, The Heavy 29’s (name of his band).  Well I hope so, I wished I’d said that.  40 is the new 29.

Polly:  I was going to ask you, okay so you’re 40…or 29, are you where you’re at or did you ever think you’d be where you’re at now personally and professionally?  Are you in a good place?  

Todd: Yes, I think I’ve already reached a path where I’m achieving as far as being involved with music, yes, I’m very happy and surprised actually. I still have a lot of time to get better and work on the highest level in the world.  I’m actually further along than I expected.  It’s kind of crazy.

Polly:  Good for you Todd.  What’s your assessment of the local music scene, you’ve been involved for so many years?   

Todd: I would say the number of artists that I’m aware of seems to be growing. There are pretty solid artists that have put in their time. But I’d say we need to work on more venues that are basically like the ones you guys had (Zoey’s) because I think that helped cultivate the most.  That’s like having a farm and the musician is like the crop.  It seems like with the absence of Zoey’s the scene is more about drinking than listening to the music.  Some places are trying like Bombays.

Polly:  I know Diego is trying.  It’s almost Christmas, are you ready?  

Todd: As ready as I’ll ever be.  I’m doing memberships to the Organic CSA, buying vitamins. Thanksgiving was great.  I like spending time with the family.

Polly:  Any New Years resolutions?

Todd: None this year but I make and break them all year long.

Polly:  Last question, you’ve played music and surfed all over the world. What keeps you coming back to Ventura County?

Todd: It feels like home.  And this place is as nice as anywhere.

www.toddhannigan.com
www.brotherynstudios.com
www.wornwear.patagonia.com
www.bigeasyexpress.com
www.
greendaycuatro.com
www.grammy.com

photo by Pam Baumgardner

photo by Pam Baumgardner

Polly Hoganson The MusicMuse

I am super excited to join Pam and VenturaRocks.com as a guest writer on a semi regular basis!  I hope to bring insight as a former music venue owner, music lover, indie advocate and longtime resident of Ventura County on the music and art scene of the place I hold dear.   I will write out loud about – “how to” ideas for the DIY Indie band/artist, shine a spotlight on up and coming musicians, bring exclusive interviews of stars in the music industry who make the 805 their home, cool new music and find answers to – Can Ventura really be the new Austin?

My goal is to continue to build our Ventura County music community and focus on how amazing we are.  I’d love to hear from musicians who either are from or play in the 805 along with promoters, and all you music fans!  Send us the happening news.  Message me at therealmusicjunkie1@gmail.com   Let’s do this!

Polly

Ventura Rocks Welcomes Polly Hoganson

December 2013 – VenturaRocks.com welcomes Polly Hoganson on board as a staff columnist!!!

As you know, Polly and Steve ran Zoey’s and were pivotal in helping so many artists launch their careers, giving them a safe place to play as well as bringing national acts to town.  Ventura’s music scene would not be where it is today without them.  But now with Zoey’s behind them, Polly still believes in our music community more than ever and so we are proud to be able to provide a platform for Polly to stay connected to this amazing music scene.

We look forward to her column and reading advice for artists as well as insights for fans.

Photo by Gene Dunn

Polly & Meiko
Photo by Gene Dunn

Heart & Soul Benefit Concert for Polly

The concert was held at Bombay Bar and Grill in Ventura, CA, on Sunday, November 24, 2013.
Polly
Sometimes it just feels good being able to help someone else.  But, it feels even better when you’re giving back to someone who has done so much for others; and that is why the music community came together for Polly Hoganson.  They came because she needed assistance.  They came because they felt indebted for what she and her husband Steve had done for them and for the music community.  They came because they wanted to help.

There were over 100 items donated for the Silent Auction and Raffle. The items were as small as Blenders in the Grass gift certificate, to a custom-made Willing Guitar. We had t-shirts, and CDs as well as house concerts from our local artists (Shane Alexander’s went for $250); we had wine, gift baskets, dinners, artwork, jewelry, drum hardware kits, voice lessons, drum lessons, violin lessons, trips to the Channel Islands…we had great stuff!

The White Buffalo -  photo: Cliff Montgomery

But more than the stuff? We had the talent in the house.  The White Buffalo was the headlining act and he brought down the house. Surf pro/musician Timmy Curran was amazing; Nathan McEuen was outstanding; and we also had Zoey favorites like Shane Alexander and Justine Bennett. 50 Sticks of Dynamite played, I heard one of their first gigs was at Zoey’s.  Tommy Marsh did a set with Steve “Smokey” Hinojosa. Guy Martin played with longtime friend Lee Koch.  The rest in no particular order were simply fantasitc, there wasn’t a single bad act all day and night; they all shone:   Kyle Hunt, Todd Hannigan, Ray Jaurique and the Uptown Boys, Jade Hendrix, Jamie Drake, Shelby Figueroa, Pi Jacobs, Xoc Moraza, Roger Keiaho, Salty Suites, Max Kasch, Seth Petersen, Calico the Band and many of them brought additional talent to back them up!  They all played for free.  They all played for Polly.

And of course there is the back story of those who help to pull this event together, making the callings for auction items and picking them up, putting up posters (thank you Where2Print.com for donating them), gathering all materials for the day, rallying the troops, contacting the media, writing the stories, going on the radio.  And let’s not forget Diego and Bombay’s for offering up the day for the event!  Two sound guys who worked their asses off (Thank you Robin and John), security, and offering up either gratis items (thank you Firestone 805) or seriously reduced items for the bands.

photo by Amanda PeacockAnd the volunteers showed up.  Some for a few hours, but others all day long from 10:30 until midnight, plus, there were only a few minor hitches!  No matter what was thrown at us in the middle of trying to get through the day, we did our best to keep smiles on, and keep everything in perspective.

It was truly a night to remember for many reasons. But what I took away from the day was the love and generosity this community showed for one of our own.  Polly feels the love and support and is so very appreciative.

Thank you Ventura Music Community.  It was a great day indeed!

See: previous story about concert (before event).
See: Zoey’s The Heart of Local Music No Longer Beats

Photographers who donated their time and photos:
Amanda Peacock


Bob Muschliz

Cliff Montgomery


Albert Munoz

Gene Dunn

Benefit Concert Scheduled for Polly

The music community is coming together to help a woman who has been the heart and soul of the Ventura music scene for many years, Polly Hoganson.  Polly and her husband Steve were pivotal in helping so many artists launch their careers, giving them a safe place to play as well as bringing national acts to our town. Now Polly needs our help.  There will be a benefit concert on November 24 at Bombay Bar and Grill, 143 S California St, Ventura, from 3:00 pm to midnight. The benefit will help with medical expenses and recovery for a much needed operation.

At press time these are the artists schedule to perform:  The White Buffalo, Timmy Curran, Meiko, Shane Alexander, Todd Hannigan, Lee Koch, Guy Martin, Tommy Marsh, 50 Sticks of Dynamite, Ray Jaurique & the Uptown Boys, Kyle Hunt, Jade Hendrix, Justine Bennett, Jamie Drake, Shelby Figueroa, Pi Jacobs, Nathan McEuen, Xoc Moraza and Roger Keiaho and more!  (Added note 11/20: The more includes:  Calico the Band, Max Kasch Trio, Chelsea Williams and Salty Suites, Seth Petersen)

This will be a full night of amazing music for someone who has helped launch and nurture the careers of so many musicians. Tickets will be available at the door $15 from 3-6pm; after 6pm $20. Also scheduled is a raffle/silent auction.

Click here to Purchase tickets in advance.  Or Click Here to make a Donation.

Thank you for your help.

(Added note 11/20: contributions from Guitar Center, The Watermark, Amigos, Saltzers, Betty B, Blenders in the Grass, Channel Island Packers, Four Brix Winery, Got Rhythm Dance, Pulse Drumming, Rubicon, Squashed Grapes, Totally Local VC Dinner series, Trufflehound, Ventura Wine Walk, Winchesters, Yoga Jones, Garman’s, Architexture, The Armory, Sweet Pea Floral, BluesAholics, Pin Ups, DW Drums, Pete’s Breakfast house, Guitar Tech Corner, JD Wolf Photography, Willing Guitars, VenturaRocks.com, Robin Lee, Mary Osborne Surf Camp, Edwin C Dies, Suzanne Blanco Massage, Kim Pickering Print, Brendan B. Willing art, Delaney Gibson art, Guy Martin DVD & shirts, Kat Wasden, Shawn Jones music, Pi Jacobs music, Print from Amanda Peacock, Where2Print posters, Jodi Farrel voice lesson, Chrstine Marie intro violin…. and more coming in!!!)
Heart & Soul